The project is located in LiuZhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.

We do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.

By abstracting the relationship between the outline of the mountains and the landscape through volume, we have removed all extra colors or imitations of nature, using the intensity of ink only to express the deep or ethereal texture. The colors that stimulate the senses are filtered out, and the form simply enters a state of ethereal consciousness.

Then, there is the mirror-like ink polished ground, which is solid and serene. Outside the window, with the new green in spring, the red in autumn, the sunshine on sunny days, and the rain drops on rainy days, colors not only change in time but are also reflected in the lake and stain the mountain rocks.

By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.